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The creator's guide


The Revival of Imagination and the Emergence of a New Culture: Modern Prophetic Culture
"הרב קוק" - איור של דפנה אנגלנדר About a hundred years ago, during his lifetime, Rav Kook identified a trend: the rising power of...
סשה נצח אגרונוב
Oct 62 min read


The War of the Wild Ox and the Leviathan – The Battle Between Religious Holiness and the Holiness in Nature
"הלוויתן" - איור של דפנה אנגלנדר The Book of Job describes a battle between two fearsome beasts: the Wild Ox (שור הבר) and the Leviathan...
סשה נצח אגרונוב
Oct 64 min read


Uncle Boris, the Shrapnel, and the Secret of the Taste of Eden
In the picture is my dear Aunt Shoshan (Shoshana) during training at a shooting range. When she was 4, her father left her, and she grew...
סשה נצח אגרונוב
Oct 66 min read


On the Moon Girl, the Frog, and Oppressed Souls
This is the last remaining picture of two people I knew, whose disappearance is still a mystery I haven't been able to solve. But as the...
סשה נצח אגרונוב
Oct 525 min read


Ashkelon War Diary: Six Encounters
Sometimes, to write something new, you first need to learn an ancient language. In recent months, out of the painful reality of the war,...
סשה נצח אגרונוב
Oct 56 min read


Olam, Shanah, Nefesh: The Kabbalistic Map of Cinematic Creation
It is customary to think of cinema in terms of space and time, image and movement. But the wisdom of Kabbalah, in the ancient Sefer...
סשה נצח אגרונוב
Sep 293 min read


The Third Hero: Why is Israeli Cinema Afraid of the Prophetic Creator?
History, sometimes, ties fates together in a surprising and meaningful way. At the end of the 19th century, two "men of legend" – one,...
סשה נצח אגרונוב
Sep 295 min read


Film as Pardes – Architecture of Meaning
A Pre-Prophetic film is not flat. Like the Torah, it is built layer upon layer of meaning. We are called to rise above the revealed...
סשה נצח אגרונוב
Sep 293 min read


The Last Beauty of Jerusalem: On the Exile and Redemption of Hebrew Aesthetics
The Talmud, with its unique pictorial power, sketches a portrait of a man who is both memory and prophecy: Rabbi Yochanan, "the last of...
סשה נצח אגרונוב
Sep 294 min read


The New Poetics: Between Aristotle and the High Priest
Western drama, from Greek theater to Hollywood cinema, is built on the foundations laid by Aristotle in his "Poetics." The purpose of...
סשה נצח אגרונוב
Sep 293 min read


Eisenstein, Tarkovsky, and the Prophet: Two Ways to Create, and One Encounter
There is a 17th-century Japanese haiku that two giants of cinema, Sergei Eisenstein and Andrei Tarkovsky, loved to quote in the directing...
סשה נצח אגרונוב
Sep 293 min read


Not to Depict, But to Create: The Will as the Engine of "Pre-Prophetic Cinema"
One of the central questions facing every creator is: What is the role of art? Should it reflect reality as it is, be an accurate mirror...
סשה נצח אגרונוב
Sep 293 min read


The Frame as a Sacred Space, The Film as Sacrifice
When the creator creates a world, he decrees upon himself to remain outside his creation. An invisible screen separates him from his...
סשה נצח אגרונוב
Sep 293 min read


The Ladder of Creation: The Five Stages on the Path to Revelation
One of the central questions in the "School for Prophets" is: How do we begin? Is spiritual creation a matter of sudden inspiration, or...
סשה נצח אגרונוב
Sep 292 min read


Directing Lesson - Holiness and Nature
I have always been fascinated by the question: What is the relationship between a director and his location? In most cases, nature is...
סשה נצח אגרונוב
Sep 292 min read


Beyond the Text: On Midrashic and Talmudic Cinema
Western cinematic language, for all its greatness, is built on rules and narrative structures that have over time become self-evident....
סשה נצח אגרונוב
Sep 293 min read


Montage of the Soul: Towards a Theory of Editing According to Kabbalah
I have already written extensively on Facebook about the surprising similarity between the dialectics of Sergei Eisenstein's montage and...
סשה נצח אגרונוב
Sep 293 min read


Chaplin on the Bible - The Redemption of the Gaze
Almost all stages of creation in the Book of Genesis end with the divine declaration "that it was good." Only after the creation of man does a surprising and different description appear: "It is not good that the man should be alone (לְבַדּוֹ)." Why? One of the surprising interpretations analyzes the word "Levado" (לבד - alone/by himself). In the Talmud, in the tractate Sukkah, when describing two boards attached to each other, the word "Levudim" (לבודים) is used. That is, "L
סשה נצח אגרונוב
Sep 293 min read


"Crowns for the Letters": Towards a New Revolutionary Language
Last Shabbat, I read an "Open Letter" written by Rav Kook in 1905, a year after his immigration to the Land of Israel. In the letter, he...
סשה נצח אגרונוב
Sep 293 min read


The Artistic Act as Initiated Exile: On the Exile and Redemption of the "I"
At the beginning of the 20th century, the Russian-Jewish thinker Viktor Shklovsky introduced one of the most important foundational...
סשה נצח אגרונוב
Sep 293 min read

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